THURSDAY 29 JUNE 1995
U2 WORLD EXCLUSIVE
Back issues of The XPress on Sunday featuring Liam Mackey's
exclusive interview with U2 are still available from: Room 103,
Liberty Hall, Dublin 1.
Con Houlihan: The Leaving of Castle Island
POINT BLANK - Irish Press Creditors' Meeting
RHYME FOR A REASON
Published by The Irish Press NUJ, Liberty Hall.
Origination by Malcolm Kindness, Telephone 4962551.
CON HOULIHAN: The leaving of Castle Island
The story so far: Con Houlihan, stage Kerryman, B.A. (pass), great
lover (failed), an enthusiastic cook who, as far as is known,
hasn't poisoned anybody yet, turfcutter (retired), journalist
(kind of), rugby player (a long time ago), has had a strange and
misadventurous life.
Despite all this, however, he was never a deckhand on a freighter
or a sparring partner to a heavyweight champion of the world or
a short order cook or even a long order cook - he left all that
to his old enemy, Ernest Hemingway.
We meet him now in a flashback as he is setting out from his humble
abode to seek his fortune in London. Now read on...
If you picture a weeping mother and a grief-stricken father, you've
come to the wrong shop. It wasn't that way atall, atall.
The Ma was too busy at the tasks that are the peasants' birthright.
Their mantra in my young days was extremely pragmatic: "Almighty
God, 'tis nearly five o'clock and there isn't a cow milked or
a pig fed or a child washed..."
And on that fateful morning as I set out, the Ma was in the fields
keeping an eye or two on a hen that was rather reluctant to deposit
her eggs indoors -she was politically incorrect, the hen, that
is.
The Ma came to the hedge as I walked down the road and said: "I
suppose we'll see you at Christmas."
If you understand the peasants' culture, you will realise that
this was an extraordinry gesture of affection on her part.
Watching a rogue hen is a very serious business: you are monitoring
the hen - she is eyeing you. And don't be deceived by the epithet
"hen-brained" - hens are brilliant.
You may be watching a rogue hen for perhaps half-an-hour or so
- and all the while she is pretending to be going about her lawful
business, picking up unfortunate worms that have got up too early
and ingesting whatever else is coming her way.
And then something distracts you: the postman perhaps comes by
on the road and shouts "I've something here for you...";
you turn your back and then turn your front - and, lo, the bird
has flown.
And where does all this leave the Da on that fateful morning when
I was about to set out for the old city by The Thames, a Dick
Whitington without a cat?
The Da was a man who excelled in wearing his heart inside his
sleeve, indeed inside both sleeves. He reached his zenith in paternal
uncare during The World Cup Finals of 1978.
It happened that on market day in Castle Island he was approached
by a former girl friend of mine, a lass of mesmerising beauty
despite her foxy hair, another lovely ship that had passed in
the night.
And she said - and I quote: "Have you any account of Connie?"
And, quick as ever on the draw, he replied: "As far as I
know, he's down below in Argentina."
I wasn't - but that made his unsolicitude even worse. I was told
about this by a guilty bystander who revelled in keeping me in
my place, wherever that was.
Anyhow, despite the lack of tears and breastbeating I set out
for our local railway station.
You will now have deduced that all this was a very long time ago,
in the bright ages when there was a rail line to our town.
It has long-since been torn up at the behest of the bureaucrats,
those proverbial little men who sit in rooms that are too big.
We were told that it didn't pay; it was just as well that they
didn't apply the same criterion to the roads.
The good old steam train bore me to Cork in its own time; in that
fair city I spent a few hours in Aherne's pub on Penrose Quay.
I could see the m.v. Inisfallen by looking out the window; there
was no fear that she would sail without me. She didn't - and away
we sailed down past Blackrock Castle and past Roche's Point and
out into the Atlantic.
It was late September and, as dusk fell, I could see the lights
coming on along the coast that I knew and loved so well.
I had bought The Great Gatsby that afternoon and had the great
fortune to start reading it on my maiden voyage.
The sea was clam; I stayed on deck, in the steerage of course
- and witnessed a little sight that I could never forget.
It was after midnight and I couldn't but feel for a little pale-faced
girl who stood at the rails on the land side.
I was certain that she too was going to England for the first
time; she looked even lonelier than Ruth when she stood in tears
amidst the alien corn.
I hadn't the courage to approach her and console her by revealing
that I too was emigrating for the first time.
All, however, was not lost: a young seaman came up from below
(he could hardly come up from anywhere else...) and handed her
a mug of steaming tea - it strengthened my faith in human nature.
The transformation in the wee lass was marvellous: her expresion
had been woebegone - now it said: "woe, be gone."
And so we sailed on, past The Tuskar and into St. George's Channel.
(To be continued).
POINT BLANK
Small meeting in Dublin, not many there...
Yesterday's planned meeting of Irish Press Newspapers' creditors
was rendered redundant by the High Court appointment of an Examiner
on Monday. Nonetheless, uninvited creditor Donogh Diamond went
along anyway - here are his impressions.
The black cloth was tangible gravitas draped over the walls, hanging
from the ceiling, covering the high table.
Everything was prepared for this saddest of duties. Sad, but seductively
grand. Like the Lord High Justice who must ask for the black cap.
Pre-printed signs inside the door of the Point Depot directed
creditors of Irish Press Newspapers Ltd. around the black curtain
into the echoing auditorium.
Ushers asked entrants if they were creditors and handed each a
little card. A man behind a desk was dressed in sombre frock coat
with an incongruous red carnation in the buttonhole.
The little knots of creditors, there to plead for the crumbs that
might be left when the table was swept clean, were dressed in
their lightest, brightest, summer clothes.
They laughed and chatted outside in the brilliant sunshine, before
strolling inside.
Four little figures sat faraway at their table on the stage, blinking
in the bright spotlights, like one of those mime acts performed
against an entirely black background.
Two representatives of William Fry Solicitors, were joined by
Dr Eamon de Valera, Chairman of Irish Press Newspapers Ltd, and
Vincent Jennings, Chief Executive.
In front of them were rows and rows of empty seats. Further back
were the higher, tiered, unbrokenly vacant, seats. To their right,
more banks of unsat-upon chairs, and to their left, still more.
Mr Jennings lounged in his seat, hand to face, looking serious.
Dr de Valera perched, bird-like, with that same expression that
seems rarely to leave his face.
The ever-faithful Joan Hyland, elevated to a directorship as the
waves lapped around the bridge of the IPN ship, sat in the front
row gazing intently up at the stage.
The Chief Executive, betraying, perhaps, an impatience unworthy
of a hanging judge, glanced at his watch and spoke to his colleagues.
Finally, about 35 people wandered into the great hall, subtly
stressing its emptiness.
With a gesture to the soundman, the microphones became live, and
Dr de Valera spoke.
"Good Morning. This is a meeting of creditors of Irish Press
Newspapers Ltd. convened for the purposes set out in in Section
266 of the Companies Acts.
"On Thursday, 22 June, a petition for the appointment of
an Examiner to Irish Press Newspapers was presented by three employees.
"On Monday, 26 June, in the High Court, Mr Justice Murphy
appointed Mr Hugh Cooney Examiner of Irish Press Newspapers Ltd.
"The Court further ordered... that this meeting of creditors
be adjourned sine die, without conducting any business.
"We are, therefore, required to adjourn this meeting and
I therefore declare this meeting adjourned until further notice.
Thank you for attending this meeting," said Dr de Valera.
A man who had flown in yesterday morning from England representing
an air-freight forwarding company which is owed about £50,000
looked momentarily bewildered. Everbody else smiled.
As Mr Jennings strode from the corpseless funeral home, The XPress
put it to him that last week he had said that nothing could stop
liquidation. "Nothing to say," he replied.
The black cap had been snatched back. The power over people's
lives had passed away.
RHYME FOR A REASON
IF YOU need someone to promote and support freedom of speech and
expression in the media, then you need look no further than the
Irish poets and traditional musicians.
In Bewley's cafe in Grafton Street, Dublin, on Tuesday night,
seven of the best writers in the country were joined by musicians
who played their hearts out to support Press journalists and raise
funds for our campaign.
Michael Hartnett, Pearse Hutchinson, Eilean Ni Chuilleanain, Theo
Dorgan, Frank McGuinness, Paula Meehan and Macdara Woods read
their work while top accordion player Tony McMahon set feet tapping.
Sean nos singer Iarla O Lionaird sang unaccompanied and Irish
Press sub-editor and chapel treasurer John Brophy played a lament
on the flute.
The MC was Irish Press sub-editor Hugh McFadden, who read from
AE's "Open Letter to the Masters of Dublin," recalling
the 1913 Lockout.
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